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Sarah CrowEST

b. 1957, England, United Kindom. Lives and works in Naarm/Melbourne

The Lipstick Variations 1, 2025Oil, acrylic, graphite, ink on wood panelFramed: 72 x 62cm

Dub Freight #479, 2024Foxed, antique linen, sublimation dyes, printing ink, foil, mixed threads and woven labels65 x 45 cm

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RE-UP #5, 2022Cotton canvas, acrylic paint, cotton webbing82 x 109cm

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Sarah CrowEST, Plinth Projects, Edinburgh Gardens, 2013

No No I am not your bitch, 2016Belgian painters linen, acrylic paint, cotton thread164 x 112cm

RE-UP #12, 2022Cotton canvas, acrylic paint, cotton webbing82 x 109cm

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Portal, 2025Fine Italian and Japanese woven, knitted and felted wool and aluminium rod with hand-balled, air-dried clay knobs240 x 200 cm

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Peregrination Benalla (with Sophie Taeuber Arp and Ned Kelly), 2015

Bite 2 Nite (in silence) over-dubbed version-excursion, 2021Acrylic on linen127 x 102cm

Peregrination Melbourne, FABRiK, Ian Potter Museum of Art, 2016

Leaves Unbothered over-dubbed version-excursion, 2021Acrylic on linen137 x 102cm OR 102 x 137cm (horizontal or vertical)

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SO WISE, 2019Acrylic on Belgian linen127 × 102cm

#straponpaintings, Heide MoMA, 2016

Selvedge, Order, Rupture, West Space, Installation view, 2014

TarraWarra Biennial: Endless Circulation, Installation view, 2016

b. 1957, England, United Kindom. Lives and works in Naarm/Melbourne

Sarah CrowEST operates across contemporary art, design, craft and performance. Underpinned by a deep appreciation for sound and architectural forms, her recent output combines painting, working apparel, diagrammatic scores and the graphic qualities of text.

CrowEST has an extensive exhibition practice, exhibiting in major institutions and art galleries across Australia including LON Gallery, Gallery 9, Melbourne Now at the National Gallery of Victoria (NGV), CAVES, Shepparton Art Museum, McClelland Gallery, TAMA, the Australian Tapestry Workshop, Tarrawarra Museum of Art, Heide MOMA, and the Ian Potter Museum of Art. Recent residencies include the Megalo Print Studio, Fremantle Arts Centre and the Lottozero Textile Laboratory in Italy. In addition, she has undertaken studio residencies at Bililla Mansion, Shakespeare Grove Artist Studio and Gertrude Contemporary. CrowEST’s work is held in some of the most important cultural institutions in the country including, the National Gallery of Victoria, Art Gallery of South Australia, TAMA, Museum and Art Gallery of Northern Territory (MAGNT), Artbank, City of Port Phillip Visual Art Collection, University of South Australia Library Art Collection, Epworth Hospital Collection, Justin Art House Museum, the Joyce Nissan Art Collection and Okayama Prefectural Government Collection (Japan).

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