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Jeremy Eaton

b. 1990, Boorloo/ Perth. Lives and works in Naarm/Melbourne

Untitled, 2017UV exposure dye print on canvas40 x 60cm

Bush Narcissus, 2024UV exposure dye print on canvas, bronze, Tasmanian Oak135 × 192cm

Some Thougths on Cinema, Dancing Men, Installation view, Bus Projects, 2019

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Jeremy Eaton & Nicholas Smith, Dressings, Latrobe Art Institute annual facade commission, 2024

Aerogram Refrain, 2024UV exposure dye print on canvas, birch ply mount In 2 parts37 × 58cm each

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Through the hand to the mouth (Pink Narcissus, Before Night Falls, Angel, Consequences, A Single Man), 2020UV exposure dye print on canvas196 x 145cm

Jeremy Eaton and Nicholas Smith, Fruits, Flowers and a Psychoscape, Installation view, Incinerator Gallery, 2024

Jeremy Eaton Through the hand to the mouth (Poison, Call Me By Your Name, Some of My Best Friends Are…, Surrender, Dorothy), 2020UV exposure dye print on canvas196 x 100cm

Through the Hand to the Mouth, Installation view, Bundoora Homestead, 2021

Beach Boys, PHOTO 2022, Installation view, LON Gallery, 2022

Permissibility (Apricot), 2017UV exposure dye print on canvas, pine and luan mount77 x 85cm

Body as Pool of Water, 2023UV exposure dye print on canvas, birch ply mount42 × 58cm

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On Frank, Installation view, LON Gallery, 2024

What Happens Between The Rain and The Ground, Installation view, KINGS ARI, 2015

b. 1990, Boorloo/ Perth. Lives and works in Naarm/Melbourne

Jeremy Eaton is an early-career artist working across print, sculpture, drawing, and text. Over the past five years, they have focused on uncovering underrepresented homosocial histories, forging poetic and material connections between past and present. Drawing inspiration from cinema, literature, art history, and social history, Jeremy identifies potential subtexts within repeated gestures, correlative material use, and the queer contexts that inform these relationships.

Eaton has exhibited in solo, duo and curated group exhibitions across many significant galleries and museums across Australia including the La Trobe Art Institute, Platform Arts, Incinerator Gallery, Sutton Projects, Bundoora Homestead, Spring 1883, Lorne Sculpture Biennale, Sarah Scout Presents, CAVES, and HOBIENNALE 2019. His work is held in collections at Artbank, the Deakin University Art Collection and the Joyce Nissan Collection. In addition to his practice as a visual artist, Eaton is also a curator, writer and editor and the current Managing Editor at Art + Australia and Deputy Chair at Un Projects. He has also written for MEMO Review, The Museum of Contemporary Art, Gertrude Contemporary and The Ian Potter Museum of Art.

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